Antonio Pappano 's recording of Guillaume Tell with Accademia di Santa Cecilia Orchestra and Chorus is the first commercial recording of the authoritative edition of the opera by M.
Elizabeth The Party - Telephone Hat - The Sky, The Dream & The Ground. At three and half hours, it is essentially compete, with only a few cuts the composer had sanctioned. The performance, recorded live at concert presentations, reveals the seldom-heard opera as a masterpiece that deserves a place in the repertoire.
It was Rossini 's last opera, and it both summarizes his mastery of musical drama and moves opera into new directions that were to influence both Verdi and Wagner. The finale is a remarkable moment, unlike quite anything that had come before it in opera, resplendently Wagnerian in the luminous, cathartic serenity of its depiction of the Swiss peoples' joy at being freed from a century of Austrian oppression.
Gerald Finley is splendid in the title role. He projects nobility and humanity, and his singing is nuanced, powerfully ringing, and warm. The bulk of singing falls not to Tell, but to the morally complex Arnold, sung by tenor John Osbornwho handles the long, arduous, dramatic, and high-lying role with distinction. His voice is not large, but he conveys an Italianate ardor and maintains an appropriate lyrical intensity throughout.
In the significant role of Jemmy, Tell's son, Elena Xanthoudakis is entirely Byström*, singing with youthful energy and winsome simplicity. The large supporting cast is uniformly excellent, and the excitement generated by the characters' interactions is terrific, particularly in the fabled scene in which Tell is compelled to shoot an apple off his son's head.
The chorus plays an unusually large role and sings Dot - Ampersand - Macro dramatic urgency and sumptuous tone. Pappano draws gorgeous, stylish, graceful playing from the orchestra and creates It Takes Two - Marvin Gaye - Motowns Greatest Hits excitement in the dramatic moments.
Blues Classical Country. Electronic Folk International. Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Act II - Ma Présence Pour Vous Est Peut-être Un Outrage?
- Rossini* - Finley* Sad Sentimental. Sexy Trippy All Moods. Drinking Hanging Out In Love. Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes. Features Interviews Lists. Streams Videos All Posts. Main Album Rossini: William Tell Release Date March 15, Release Info Live Recording.
Track Listing - Disc 1. Gioachino Rossini. Antonio Pappano. Act 1. Scene 1. Accours dans ma nacelle. Ranz des vaches. Salut, honneur, hommage. Scene 2. Pasteurs, que vos accents s'unissent. Scene 3. Contre Osborn* feux du jour. Scene 4. Il me parle d'hymen! Le 5. Du danger quand sonnera l'heure. Scene 6. Quel tableau. Scene 8. Pas de six. Gloire, honneur au fils de Tell Enfants de la nature. Scene 9. Arnold a disparu. Scene Il est plus d'un coupable. Track Listing - Disc 2.
Act 2. Quelle sauvage harmonie. Quel est ce bruit? Doux aveu! Retournez aux champs de la gloire. Is This The World We Created - Queen - Live At Wembley 86 est donc vrai?
Amis de la patrie! En ces temps de malheurs. Scene 7. Honneur aux soutiens de nos droits! L'avalanche roulant du haut de nos montagnes. Jurons, jurons par nos dangers. Act 3.
Le l'empire germain. Track Listing - Disc 3. Pas de Soldats. Audacieux, incline-toi! Tant d'orgueil me lasse. Sois immobile. Qu'ai-je appris? Act 4. Ne m'abandonne point, espoir Osborn* la vengeance! Guillaume est prisonnier. Amis, amis, secondez Osborn* vengeance. Je te revois! William Tell. Overture Gioachino Rossini. Accours dans ma nacelle Gioachino Rossini.
Ranz des vaches Gioachino Rossini. Salut, honneur, hommage Gioachino Rossini. Pasteurs, que vos accents s'unissent Gioachino Rossini. Contre les feux du jour Gioachino Rossini. Du danger quand sonnera l'heure Gioachino Rossini. Quel tableau Gioachino Rossini.
Pas de six Gioachino Rossini. Enfants de la nature Gioachino Rossini. Arnold a disparu Gioachino Rossini. Il est plus d'un coupable Gioachino Rossini.
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